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PostPosted: Sat Apr 24, 2004 8:34 pm 
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ya im gonna have em on till 2nd semester of my senior year :cry: 2 1/2

then summer to get ready for college yay....

right now im working on playing moe technical stuff instead of screaming. im goin more for a herb alpert sound (almost there :wink: )

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PostPosted: Sat Apr 24, 2004 8:54 pm 
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Herp Albert is...ahhh...FRUSTRATING :twisted: ! You have to have super human fingers to pull off his stuff...

I have of couple of his charts and they are way up there in the crazy-o-meter. Very, very technical but for right now I am working on classical stuff (Haydn concerto mostly)...

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PostPosted: Sun Apr 25, 2004 2:19 pm 
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ya hopefully im gonna get zorba the greek by the end of the school year

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PostPosted: Wed Apr 28, 2004 1:38 pm 
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I still play on a beg. Trumpet, It's a conn 22b, and the mouth piece is a 7c.

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PostPosted: Thu Apr 29, 2004 5:37 pm 
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I'll admit, my range was never any higher than an A above the staff, and then I switched to french horn, and my trumpet has been cast aside and is only used for jazz band... But it's a Back student model of some sort, with a bach 7C mouthpiece. It's got some dings, but it still sounds great, and looks pretty sweet, too. If I used it more, I'd go up to a rose jupiter.

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PostPosted: Wed May 05, 2004 4:58 pm 
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I see that LoneMello has a Taylor Chicago Custom as his signature. Just wondering: has anyone here actually played one of these horns (or even a Monette...<dreamful sigh>)... I was just wondering if these breed of heavyweight horn has any effect on range? I know that it seriously darkens up the horn's sound, but I am wondering if it affects any other aspects of it (besides making your arm really tired really fast)...

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